Festival

Looking back – The FashionTEX Festival 2025 in Chemnitz

Chemnitz: European Capital of Culture Meets the Digital Future of Fashion

No location could have been more fitting. Chemnitz, the European Capital of Culture 2025, once known worldwide as the “Manchester of Germany,” became the stage for the first FashionTEX Festival. Where looms once clattered and textile machines shaped the industrial revolution, digital technologies and physical materials now merge into entirely new forms and designs.

As a historical center, deeply rooted in European textile and mechanical engineering history, Chemnitz stands for change. This is precisely where FashionTEX came into play, not nostalgically, but progressively. In the former tulle factory, now “die fabrik” Chemnitz, industrial history met AI, 3D design, virtual prototypes, and smart fabrics. History was not only exhibited, but reinterpreted.

With around 2,000 visitors, international participation, and significant media interest, the Capital of Culture became a hotspot for digital fashion for two days. Designers, technology experts, students, industry representatives, politicians, and the creative scene from across Europe came together to showcase how fashion emerges when craftsmanship, high-tech, and cultural identity merge.

When fashion thinks digitally and inspires in real life

From the outset, it was clear: FashionTEX is not a typical fashion event. The focus wasn’t on trends, but on the work processes of tomorrow. Virtual collections became tangible, digital materials felt real, avatars stood alongside models, and thus digital and physical fashion were united.

Lectures, panel discussions, and live demonstrations showed how AI, 3D simulations, and sustainable processes are fundamentally changing design, production, and consumption. FashionTEX presented not just visions, but concrete applications—phygital rather than analog.

Weeks of work, powerful emotions, a unique runway

At the heart of the festival were 24 students from 11 European partner universities of the FashionTEX project. In weeks of intensive work, they developed hybrid collections in which digital avatars and physical clothing merged into a shared experience.

By combining 3D design, avatars, digital materials, and real fabrics, new design approaches emerged. Digital silhouettes enhanced the real look, virtual layers complemented materials and forms, and phygital fashion became real on the runway.

The show was the culmination of long nights, tests, and creative decisions. For many, it was their first presentation before an international jury, a large audience, and the media. A moment that demonstrated how professional and forward-thinking this new generation is.

The emotional highlight

The grand FashionTEX show, hosted by star designer Thomas Rath, formed the emotional highlight of the festival. Twenty-four international students presented their collections boldly, experimentally, and with an uncompromising vision for the future. The physical appearance was augmented by digital layers, projections, and virtual elements: Runway meets Metaverse.

The European Advancement Award “Next Generation – Fashion 2025” went to Vincent Röse from the West Saxon University of Applied Sciences Zwickau – Schneeberg Faculty of Applied Arts. With “GORE LUX,” he made a powerful statement for fashion that seamlessly combines technology, function, and aesthetics.

Innovation You Can Touch

The accompanying innovation exhibition made the transformation visible. Interactive avatars, smart textiles, AI-supported design processes, and virtual runways demonstrated how the industry is already operating today. Partners from industry, startups, and research proved that the future of fashion is already a reality.

A Strong Signal from Chemnitz

FashionTEX impressively demonstrated how tradition and change can come together. As a European Capital of Culture and a historical center of the textile industry, Chemnitz is repositioning itself as a laboratory for digital fashion, sustainable innovation, and cultural change.

Relive the highlights of the FashionTEX Festival, from phygital runway moments and digital avatars to a very special fashion show.

Watch the festival video here:

Two days, two stages – a resounding success for the future of fashion.

The FashionTEX Festival 2025 captivated audiences with visionary keynotes, top-tier panels, and a unique blend of tradition, technology, and creativity. Thousands of ideas, intensive networking, and groundbreaking innovations in AI, 3D, smart textiles, and sustainability transformed Chemnitz into the vibrant hub of the European fashion and textile industry. Inspiring shows, strong exhibitors, and the celebrated “Next Generation Fashion 2025” award crowned a festival that set new standards and had a lasting impact.

Participants

What a fantastic show! The two-day FashionTEX Festival has come to a close. Amidst significant media interest, more than 1,000 guests celebrated the promising next generation of fashion designers with star designer Thomas Rath at the fabrik Chemnitz. Among the 24 international students from eleven European fashion schools, the six-member jury selected Vincent Röse as the winner of the European Advancement Award “Next Generation – Fashion 2025.” The prize secures him an internship at the internationally operating fashion company Bruno Banani. The second prize went to Joanne-Heleene Sõrmus from the Estonian Academy of Arts in Tallinn. She receives a one-year license for the international 3D fashion software CLO.

Our finalists:

Alica Grebáčová

Academy of Arts, Architecture and Design Prague (Czech Republic)

Supervised by Kateřina Škarabelová

Alžběta Drcmánková

Academy of Arts, Architecture and Design Prague (Czech Republic)

Supervised by Kateřina Škarabelová

Ana Neves Ribeiro

Lisbon School of Architecture, Universidade de Lisboa (Portugal)

Supervised by Michele Santos, Graziela Sousa and Sara Lamurias

Anastasiia Stelmakh

Kyiv National University Of Technologies and Design (Ukraine)

Supervised by PhD Tetiana Struminska, PhD Alla Rubanka, PhD Yana Mamchenko, PhD Liliia Navolska

Artūrs Skurstenis

Art Academy of Latvia (Riga)

Supervised by Mara Binde

August Oster

Amsterdam Fashion Academy (Netherlands)

Supervised by Adele Parker

Cindy Hartwich

Westsächsische Hochschule Zwickau – University of Applied Science (Germany)

Supervised by Prof. Dorette Bárdos, Interim Prof. Anke Ott, Interim Prof. Susanne Schmidt

Doris Lenarčič

University of Zagreb, Faculty of Textile Technology (Croatia)

Supervised by Irena Šabarić Škugor and Franka Karin

Yevheniia Eygenia Lazariv

Kyiv National University Of Technologies and Design (Ukraine)

Supervised by PhD Tetiana Struminska, PhD Alla Rubanka, PhD Yana Mamchenko, PhD Liliia Navolska

Giovanni Delija

KOEFIA (Italy)

Supervised by Antonio Lo Presti

Giulio Zahnd

Amsterdam Fashion Academy (Netherlands)

Supervised by Adele Parker

Gloria Cerrito

KOEFIA (Italy)

Supervised by Antonio Lo Presti

Joanne-Heleene Sõrmus

Estonian Academy of Arts (Estonia)

Supervised by Piret Puppart, Kristiina Nurk, Alyona Movko-Mägi

Katriin Raudsepp

Estonian Academy of Arts (Estonia)

Supervised by Piret Puppart, Kristiina Nurk, Alyona Movko-Mägi

Kotryna Manukian

Vilnius Academy of Arts (Lithuania)

Supervised by Dainius Bendikas

Linda Kozina

University of Zagreb, Faculty of Textile Technology (Croatia)

Supervised by Irena Šabarić Škugor and Franka Karin

Mariana Mira

Lisbon School of Architecture, Universidade de Lisboa (Portugal)

Supervised by Michele Santos, Graziela Sousa and Sara Lamurias

Monika Maciąg

Lodz University of Technology (Poland)

Supervised by Magdalena Owczarek, PhD

Oliwia Ruczyńska

Lodz University of Technology (Poland)

Supervised by Magdalena Owczarek, PhD

Paula Vēvere

Art Academy of Latvia (Riga)

Supervised by Indra Miklava

Roosi Mändmaa

Estonian Academy of Arts (Estonia)

Supervised by Piret Puppart, Kristiina Nurk, Alyona Movko-Mägi

Roshanak Mobram

Amsterdam Fashion Academy (Netherlands)

Supervised by Adele Parker

Urtė Kavaliauskaitė

Vilnius Academy of Arts (Lithuania)

Supervised by Dainius Bendikas and Edita Tamošiūnienė

Vincent Röse

Westsächsische Hochschule Zwickau – University of Applied Science (Germany)

Supervised by Prof. Dorette Bárdos, Interim Prof. Anke Ott, Interim Prof. Susanne Schmidt

Jury

Digital fashion and AI are among the most exciting fields of the future: They enable new creative expressions, sustainable production methods, and data-driven design processes. The winners of the European Next Generation Award are selected by an expert jury. Each member contributes their own expertise, ensuring a diverse assessment of innovative projects.

Thomas Rath

Fashion Designer und Modeunternehmer

Thomas Rath is a fashion designer, entrepreneur, and European Design Ambassador for Germany. With his distinctive style—elegant, meticulous, and always with a touch of glamour—he is one of the most recognizable faces in the German fashion world. Under his label THOMAS RATH – Semi Couture and the lifestyle line THOM by Thomas Rath, he combines artisanal precision with modern ease. He became known to a wider audience as a jury member on “Germany’s Next Top Model,” where he inspired fashion enthusiasts with his expertise and charm.

Vanessa Fuhrmann

Expert in digital fashion innovations

Hohenstein Laboratories GmbH

Vanessa Fuhrmann, an expert for digital fashion innovations at Hohenstein Laboratories GmbH, creates realistic 3D prototypes in the Digital Fitting Lab and tests fit and material performance. At the FashionTEX Festival, she will demonstrate how brands can use digital designs for development and marketing.

Stefanie Kreusel

Corporate Representative for Digital Education and Schools

Deutsche Telekom

Stefanie Kreusel is Deutsche Telekom AG’s Corporate Representative for Digital Education and Schools. In this role, she has been driving the digitalization of education since 2020, initiating partnerships with schools and educational institutions, and working to develop digital skills in Germany.

Anja Demuth

Academic Lead Germany

CLO Virtual Fashion

Anja Demuth is the Academic Lead for the DACH region at CLO. With her extensive experience in both the higher education sector and industry, and her particular interest in fashion, textiles, and surface design, she supports German-speaking educational institutions in efficiently integrating CLO into their curricula and teaching.

Carl Tillessen

CEO Deutsches Modeinstitut

Deutsches Modeinstitut

Carl Tillessen is Managing Director of the German Fashion Institute and one of Germany’s leading trend analysts. With extensive experience as a designer and strategist, he advises brands and companies on translating social trends into successful fashion and brand strategies. As a thought leader in style, sustainability, and consumerism, he inspires the industry with clear analyses and visionary ideas.

Jan Jassner

CEO bruno banani

bruno banani

As CEO of bruno banani, Jan Jassner focuses on bold brand staging, innovative fragrance strategies, and strong brand values. Under his leadership, the brand is evolving into a voice for self-confidence and individuality, from iconic underwear to captivating fragrances and inspiring emotionality.

Luca Strehle

Transformation expert

BrightPlaces

Luca Strehle is one of the most prominent minds at the intersection of fashion, finance, and digitalization. As a Senior Consultant at BrightPlaces, he accompanies international brands, fashion companies, and startups on their path to the future with a clear focus on transformation, restructuring, and sustainable growth strategies.

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