Between Craftsmanship and Digital Fashion – Flavia Guerra

Flavia studies at the Koefia Academy Rome and participated in the FashionTEX Riga Makerspace 2026. During those two intensive weeks, she deepened her knowledge of CLO3D, familiarized herself with new Adobe programs, and gained practical experience with 3D printing. The combination of traditional tailoring craftsmanship and digital technologies was particularly significant for her. Exchanging ideas with international experts and fellow students also became a key part of her experience.

Flavia, what new skills or insights did you gain at the Makerspace?

I got to know new Adobe programs and significantly improved my skills in CLO3D. But I learned a lot beyond just the technical aspects, too. For the first time, I worked intensively with professionals who weren’t my own professors.

Despite some challenges—especially the language barrier—I managed to build good relationships with them. That was an important experience for me.

Was there a specific moment when you thought, “This is a real ‘aha’ moment”?

I can’t recall one single specific moment, but I had several such “aha” moments during the CLO3D sessions. The professor was extremely experienced and was able to help me with many technical issues I had previously encountered while working with the program.

Did you make new contacts with other students or universities at the Makerspace?

Yes, absolutely. I made friends with several students at the Makerspace. It was very inspiring to talk to people who share the same passion for fashion and design as I do.

What was the biggest personal challenge for you while working at the Makerspace, and how did you overcome it?

My biggest challenge was definitely 3D printing, because I had absolutely no prior experience with that technology. However, thanks to the support of the experts, I was able to overcome the difficulties and understand the process.

What key insights did you gain while working on your outfit?

I was very proud of myself for sewing an entire skirt in just two days. Before this, I didn’t even realize I was capable of doing that in such a short time. The experience showed me what can be achieved when you focus intensely on a project.

Was there a moment that particularly surprised or inspired you?

Definitely the day of the photoshoot. It was my very first fashion shoot and an extraordinary experience for me. Everything came together perfectly—from the hair and makeup to the entire production.

I found it especially exciting to watch the professional photographers at work, as photography is another one of my passions.

Which technical tools did you use the most—and what did you learn from using them?

I worked extensively with CLO3D and 3D printing. I was already familiar with CLO3D before coming to the Makerspace, but the workshops allowed me to acquire many new skills and significantly expand my knowledge.

Which result of your work at the Riga Makerspace are you most proud of?

My skirt, without a doubt. I 3D-printed directly onto the fabric and then sewed the skirt myself at the Makerspace. To me, this garment perfectly combines traditional craftsmanship with modern digital manufacturing techniques.

How do you plan to proceed after your time at the Makerspace?

I love the craft of tailoring, but I’m just as passionate about CLO3D. For my professional future, I’d like to find a way to combine both—traditional tailoring and digital fashion design.

Are there any ideas or projects you would like to develop further?

I haven’t given that any concrete thought yet. First of all, I would like to continue applying the many new experiences and skills I gained in the Makerspace to my work.

What was the greatest personal benefit you derived from your time in the Makerspace?

The CLO3D courses were particularly valuable to me. Overall, the Makerspace was a unique experience for which I am very grateful. I was especially impressed by how the experts tried to help everyone, despite the limited time. No one was left behind—and that was perhaps my favorite aspect of the entire project.

Photo Credits: Miks Uzans Photography

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