3D printing, CLO3D, and new possibilities in fashion design – Lovre Lalicic

Lovre is a student at the University of Zagreb and participated in the FashionTEX Riga Makerspace 2026. During those two intensive weeks, he discovered new features in CLO3D and engaged deeply with 3D printing and digital 3D modeling for the first time. He found working with Nomad Sculpt particularly exciting, as it allowed him to learn how to create his own three-dimensional objects. At the same time, the international makerspace became a place where he could connect with many creative and talented people.

Lovre, what new skills or insights did you gain at the makerspace?

Above all, I discovered tools and functions in CLO3D that I hadn’t even realized were possible before. This allowed me to expand my existing knowledge and explore new possibilities for my digital work.

Was there a specific moment when you thought, “This is a real ‘aha’ moment”?

Yes, definitely. That moment came when I saw the possibilities offered by 3D printing. I realized just how versatile this technology is and what new avenues it opens up for design.

Did you make new contacts with other students or universities at the makerspace?

Yes. I met so many great and talented people. Exchanging ideas with the other participants was a key part of the experience in Riga for me.

What was the biggest personal challenge you faced while working at the makerspace—and how did you overcome it?

My biggest challenge was 3D printing, because we don’t get introduced to the necessary software and tools at my university. It was a completely new field for me, so I had to familiarize myself with it during the makerspace.

What specific insights did you gain while working on your avatar or outfit?

I wasn’t able to answer that question specifically in the questionnaire. For me, the most important new experiences lay primarily in working with CLO3D, 3D modeling, and 3D printing.

Was there a moment that particularly surprised or inspired you?

It was especially inspiring for me to see all the great people around me working on their projects with such dedication. I was impressed by the creative atmosphere and the motivation of the others.

Which technical tools did you work with the most—and what did you learn from using them?

I worked primarily with 3D printing and Nomad Sculpt. In Nomad Sculpt, I learned how to digitally model and shape three-dimensional objects. This was particularly interesting for me because I hadn’t previously engaged deeply with this type of 3D design.

Which result of your work at the Riga Makerspace are you particularly proud of?

I was especially proud of the moment I finished rendering my CLO3D files. After all the intensive work, it was great to see the finished digital result.

How do you plan to proceed after the Makerspace?

Lovre did not answer this specific question in the questionnaire. However, his responses indicate that CLO3D, 3D printing, and digital 3D modeling were areas where he gained new experience during his time at the Makerspace.

Are there any ideas or projects you would like to develop further?

Yes. I can imagine further developing the experience I gained at the Makerspace—and my new digital skills in particular—in the future.

What was the greatest personal benefit you gained from your time at the Makerspace?

My greatest personal gain was the new knowledge I acquired regarding CLO3D. I discovered functions I hadn’t used before, thereby broadening my understanding of the possibilities offered by digital fashion design.

Photo Credits: Miks Uzans Photography

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