class="img-responsive

3D printing, new perspectives, and international encounters – Petra Zelić

Petra is a student at the University of Zagreb and participated in the FashionTEX Riga Makerspace 2026. During those two intensive weeks, she expanded her knowledge of technologies such as 3D printing and laser cutting, and worked extensively with CLO3D and Nomad Sculpt. However, the exchange with other students was particularly impactful: she gained insight into different mindsets, creative processes, and garment development methods, and built connections that could even lead to future collaborative projects.

Petra, what new skills or insights did you gain at the Makerspace?

I expanded my knowledge of technologies that I can integrate into my design process in the future, such as 3D printers and laser cutters. But I learned the most from the other students. I was able to see how they think conceptually and the different ways they approach the development and production of garments.

Was there a specific moment when you thought, “This is a real ‘aha’ moment”?

My “aha” moment was definitely 3D printing. I realized that it can be used to create an incredible variety of things—from a small zipper pull to an entire garment. That showed me the creative potential inherent in this technology.

Did you make new contacts with other students or universities at the Makerspace?

Yes. I met many students through the project, and genuine friendships grew out of some of those encounters. For me, that is actually one of the most valuable aspects of the entire project.

I can imagine collaborating with some of them in the future and supporting their work. Above all, I look forward to staying in touch and nurturing the friendships that were formed.

What was the biggest personal challenge for you while working at the Makerspace—and how did you overcome it?

My biggest challenge was staying true to myself and my original vision. Initially, I wanted to produce my creative video using AI-based video tools, but the results they generated simply didn’t match what I had in mind.

As a result, I had to recreate the entire video from scratch during the final few days. At the same time, I was able to watch my design evolve day by day and really come together. Ultimately, it was a matter of perseverance and completing both the digital and physical components. When I finally saw everything come together at the photoshoot, I was satisfied.

What specific insights did you gain while working on your avatar or outfit?

Before the Makerspace, I knew nothing about the animation and rendering tools for avatars and their clothing in CLO3D. I learned a great deal in this area during the project, and I definitely intend to apply this knowledge to my future work.

Gab es einen Moment, der Sie besonders überrascht oder inspiriert hat?

The other students were a particular source of inspiration for me. I learned a lot from them, worked late into the night alongside them, exchanged ideas, and had a great time in the process.
I was also impressed by the dedication of the experts. You could really feel the energy they poured into the project and how much they supported us in completing both the physical garments and the digital components.

Mit welchen technischen Hilfsmitteln haben Sie am meisten gearbeitet, und was haben Sie dabei gelernt?

Nomad Sculpt—software for designing 3D objects—was new to me. I used it to design a bag that I’m really happy with, especially after seeing how it turned out as a 3D print.

I also really enjoy working with CLO3D. To me, it represents a very forward-looking way to design clothing and integrate digital elements into the design process.

Which result of your work at the Riga Makerspace are you particularly proud of?

I’m especially proud of my 3D-printed bag. For me, it completes the entire outfit and ties the whole concept together.

What are your plans for after the Makerspace?

I hope to carry the positive energy and creative mindset I experienced in Riga over to my future projects at the University of Zagreb.

I’m also looking forward to future collaborations with the students and experts I met during the Makerspace.

Are there any ideas or projects you would like to develop further?

Yes. I’d like to create a full collection based on the outfit I developed for FashionTEX—designing it both digitally in CLO3D and physically. This could turn the individual design into a more comprehensive project that combines digital and traditional fashion design.

What was the greatest personal benefit you gained from your time in the makerspace?

My greatest personal gain was inspiration. For me, this encompasses not only the new technologies and skills but, above all, the people I worked with, their ideas, and our shared creative energy.

Photo Credits: Miks Uzans Photography

mehr zu erkunden

  • srcset="https://fashiontex.eu/wp-content/uploads/2026/10/clo3d-ai-and-new-impulses-for-digital-fashion-design-zuzanna-russek-200x150.jpg

    News

    CLO3D, AI, and New Impulses for Digital Fashion Design – Zuzanna Russek

  • srcset="https://fashiontex.eu/wp-content/uploads/2026/10/new-perspectives-clo3d-and-creative-freedom-tiago-soares-vieira-200x150.jpg

    News

    New perspectives, CLO3D, and creative freedom – Tiago Soares Vieira

  • srcset="https://fashiontex.eu/wp-content/uploads/2026/10/ai-clo3d-and-a-new-passion-for-knitwear-design-sophie-pohler-200x150.jpg

    News

    AI, CLO3D, and a new passion for knitwear design – Sophie Pöhler

  • srcset="https://fashiontex.eu/wp-content/uploads/2026/10/digital-knitting-a-spirit-of-experimentation-and-new-connections-sofija-donga-200x150.jpg

    News

    Digital knitting, a spirit of experimentation, and new connections – Sofija Donga

  • srcset="https://fashiontex.eu/wp-content/uploads/2026/10/between-digital-innovation-and-traditional-craftsmanship-mykola-polonskyi-200x150.jpg

    News

    Between digital innovation and traditional craftsmanship – Mykola Polonskyi

  • srcset="https://fashiontex.eu/wp-content/uploads/2026/10/digital-textures-clo3d-and-creative-connections-michal-piotrowski-200x150.jpg

    News

    Digital textures, CLO3D, and creative connections – Michał Piotrowski

  • srcset="https://fashiontex.eu/wp-content/uploads/2026/10/3d-printing-clo3d-and-new-possibilities-in-fashion-design-lovre-lalicic-200x150.jpg

    News

    3D printing, CLO3D, and new possibilities in fashion design – Lovre Lalicic

  • srcset="https://fashiontex.eu/wp-content/uploads/2026/10/digital-skills-ai-and-new-creative-impulses-liepa-zalatoriute-200x150.jpg

    News

    Digital skills, AI, and new creative impulses – Liepa Zalatoriūtė

  • srcset="https://fashiontex.eu/wp-content/uploads/2026/10/digital-tools-and-new-approaches-in-fashion-design-leticija-orlova-200x150.jpg

    News

    Digital Tools and New Approaches in Fashion Design – Leticija Orlova

  • srcset="https://fashiontex.eu/wp-content/uploads/2026/10/from-digital-idea-to-real-garment-kostiantyn-polonskyi-200x150.jpg

    News

    From digital idea to real garment – ​​Kostiantyn Polonskyi